Summer Catalogue Sale (Three Days):
Thursday 22 July 2010 10:00AM

Lot 753

An Extensive Collection of Assorted Hat Pins, modern, composed of Venetian millefiori beads, rose quartz, reconstituted amber, malachite, carnelian, mother-of-pearl, amethyst, tiger's eye and glass types, 17cm and 15cm long (155 approx)

Estimate: £500-700

Lot 754

A German Silver and Enamel Cigarette Case, circa 1910, rectangular, enamelled en grisaille with three horses heads, inscribed and dated to the gilt interior, 9.5cm long, 4oz 8dwt all in

Estimate: £500-700

Lot 755

A George VI Silver and Gilt Metal Mounted Five Piece Ivory Dressing Table Set, circa 1937, comprising hair brush, clothes brush, trinket box, square shouldered scent bottle (with silver mounts, maker's mark M&I, London 1937), 10cm high, and a manicure box, containing eight of the twelve original contents, including nail buffer, a pair of ointment pots, nail file and pick, 22cm wide

Estimate: £400-500

Lot 756

A 9ct Gold Cigarette Case, maker's mark WHM, Birmingham 1954, rectangular, engine turned throughout, 10cm long, 155g

Estimate: £700-1000

Lot 757

A George I Silver Mounted Tortoiseshell Snuffbox, unmarked, circa 1720, the tortoiseshell cover inset with a cast classical bust, the base later inscribed Henry Tash 1762, 10.5cm long

Estimate: £400-600

Lot 758

A William IV Snuffbox, Nathaniel Mills, Birmingham 1832, rectangular with foliate chased cushion sides and cover, the base engine turned, 8.5cm long, 4oz 16dwt

Estimate: £300-500

Lot 759

A Fine William IV Silver Gilt Vinaigrette, Nathaniel Mills, Birmingham 1835, in the style of a George I snuffbox, rectangular with chased foliate border on a matted ground encircling a field of quatrefoils and a central initialled reserve, the grille pierced with scrolls and flowers, 4.2cm long, 1oz 3dwt

Estimate: £200-300

Lot 760

A William IV Vinaigrette, Nathaniel Mills, Birmingham 1830, rectangular with engine turned sides and cast foliate borders, initialled JAR, 4cm long; and Two Vinaigrettes, John Tongue and David Pettifer, Birmingham 1847 and 1859, one of book form, the other shaped oval, 2oz 6dwt (3)

Estimate: £500-700

Lot 761

An Enamelled Silver Compact and Ronson Lighter En Suite, maker's mark HCD, Birmingham 1948, the square compact lid decorated with a pair of mallards in flight over reeds, the oval section lighter smaller, 7cm square and 4.7cm, in the original fitted case

Estimate: £200-300

Lot 762

A Victorian Silver Cased Travelling Timepiece, Henry Matthews, Birmingham 1900, the chased rectangular case on four ball feet, with cast swing handle, 7cm high

Estimate: £500-600

Lot 763

A Victorian Silver Cased Travelling Timepiece, maker's mark GB, London 1892, the chased rectangular case on four ball feet, with swing handle, 7cm high

Estimate: £500-600

Lot 764

A Victorian Silver Cased Travelling Timepiece, William Comyns, London 1900, the chased rectangular case raised on four ball feet, with scroll swing handle, 7cm high

Estimate: £500-600

Lot 765

A Victorian Silver Cased Travelling Timepiece, Henry Clifford Davies, Birmingham 1904, the plain silver case raised on four ball feet, with scroll swing handle, 6.5cm high

Estimate: £500-600

Lot 766

A Victorian Silver Cased Travelling Timepiece, Mappin Bros, London 1893, the chased rectangular case on four ball feet, with cast swing handle, 7cm high

Estimate: £500-700

Lot 767

A Victorian Silver Mounted Elephant's Tooth Snuffbox, Joseph Willmore, Birmingham 1843, plain rectangular with gilded interior, 9.5cm long

Estimate: £500-700

Lot 768

A Late 18th Century Enamel Bonbonniere as a Bird, probably Bilston, the red-breasted bird with grey, brown and red wings amongst grass, the lid painted with pair of nesting birds with yellow and green/blue plumage, 6.1cm high (a/f)

Estimate: £250-350

Lot 769

Withdrawn

Lot 770

Noble, Royce, Taylor and Hawkins for Bankes's New System of Geography (18th/29th century)
"Habitations and People of the Ireland of Atooi";
"View of Amorai or Burial Place of Atooi, one of the Sandwich Islands";
"Representation of the Body of Tee, a Chief as Preserved after Death in Otaheite";
"View of Monuments in Easter Island"
All inscribed and originally published by Alexander Hogg, black and white engravings, each 22.5cm by 33.5cm (5)

Estimate: £300-350

Lot 771

William Lionel Wyllie RA, RI, RE, NEAC (1851-1931)
"Steamships off Gibraltar"
Signed artist's proof, inscribed verso, black and white drypoint etching, 16cm by 37cm (pl)

Estimate: £250-300

Lot 772

William Lionel Wyllie RA, RI, RE, NEAC (1851-1931)
"Tynemouth"
Signed artist's proof, black and white etching, 16cm by 37.5cm (pl)

Estimate: £200-300

Lot 773

Tom McGuinness (1926-2006)
"Women at the Colliery Gates"
Signed artist's proof, limited edition print, 50/50 and dated (19)86, black and white etching, 12cm by 14.5cm (pl)

Estimate: £280-320

Lot 774

Tom McGuinness (1926-2006)
"Hole Hewer"
Signed artist's proof, limited edition print, 1/50 and dated (19)81, black and white etching, 10cm by 7cm (pl)

Estimate: £180-220

Lot 775

Tom McGuinness (1926-2006)
"Miners at the Shaft"
Signed artist's proof, limited edition print, 1/40 and dated (20)02, black and white etching, 12.5cm by 17cm (pl)

Estimate: £280-320

Lot 776

Tom McGuinness (1926-2006)
"Crucifixion"
Signed artist's proof, limited edition print, 6/50 and dated (19)89, coloured print, 16.5cm diameter within a square impress line (18cm by 18cm) (pl)

Estimate: £200-250

Lot 777

Tom McGuinness (1926-2006)
"Night Shift"
Signed artist's proof, limited edition print 48/50, dated (19)76, black and white etching with some aquatinting, 7cm by 9.5cm (pl)

Estimate: £300-400

Lot 778

Tom McGuinness (1926-2006)
"Pit Road"
Signed artist's proof, limited edition print 7/25, dated (19)79, black and white etching with some aquatinting, 7cm by 10.5cm (pl)

Estimate: £300-400

Lot 779

Geoffrey (Geoff) W. Birks YWS (1929-1993)
"Hole in the Road";
"Three of the Best";
"In Trouble with the Law";
"School Doctor Next!";
"School Dentist";
"Fish and Chips 30 Times";
"Time Gentlemen Please";
"Rug Tabbing"
Signed artist's proofs, bearing the artist's blindstamp and inscribed with the titles, 239/375, 225/375, 229/375, 262/375, AP, 375/375, AP and 230/375, coloured reproductions, each 30.5cm by 21.5cm, unframed (8)

Estimate: £150-200

Lot 780

After Laurence Stephen Lowry RA (1887-1976)
"Huddersfield"
Signed in pencil, with blindstamp for Fine Art Trade Guild, from an edition of 850, a coloured reproduction, 47.5cm by 58cm

Estimate: £1000-1500

Lot 781

After Laurence Stephen Lowry RA (1887-1976)
"St Luke's, London"
Signed artist's proof, limited edition 455/850, bearing blindstamp for Grove Fine Art and published by GR Mellor 1973, coloured reproduction, 64cm by 47.5cm

Estimate: £500-700

Lot 782

After Laurence Stephen Lowry RA (1887-1976)
"The Auction"
A posthumous limited edition print, 488/850, bearing the blindstamp for Michael Stewart Fine Art Ltd, Bristol, coloured reproduction, 54cm by 61cm, unframed

Estimate: £150-200

Lot 783

After Sir William Russell Flint (1880-1969)
"White Interior, Chateauneuf-sur-Loire"
Signed in pencil, with blindstamp for the Fine Art Trade Guild, reproduction in colours, 52cm by 68.5cm

Estimate: £200-250

Lot 784

After Sir William Russell Flint (1880-1969)
"Gossip after Market Perigord"
Signed in pencil, with the blindstamp for the Fine Art Trade Guild, reproduction in colours, 52cm by 68.5cm

Estimate: £300-350

Lot 785

Julian Trevelyan (1910-1988)
"Macclesfield"
Signed artist's proof, limited edition 12/75, coloured lithographic print, 47cm by 34.5cm (pl)

Estimate: £300-400

Lot 786

Julian Trevelyan (1910-1988)
"Benares"
Signed artist's proof, inscribed with the title, coloured print, 35cm by 47cm

Estimate: £300-400

Lot 787

Henry Spencer Moore RA, OM, CH, FBA (1898-1986)
"Red and Blue Standing Figures"
Signed in pencil, bearing the artist's name within the plate, coloured lithographic print, 29.5cm by 21.5cm; together with a book
"Heads, Figures and Ideas"
With a comment by Geoffrey Grigson and published by George Rainbird, London 1958, also published by the New York Graphic Society - Greenwich, Connecticut, compiled and designed by the artist in collaboration with George Rainbird using the auto-lithograph method printed on handmade paper. It was drawn by Henry Moore in 1958 and published by Rainbird in the same year (2)

Estimate: £300-400

Lot 788

Alberto Giacometti (1901-1966) Swiss
"Annette de Face"
Signed artist's proof, 15/50, originally produced in 1961, black and white etching, 20.5cm by 5.5cm (pl)

Possibly a second edition

Estimate: £400-600

Lot 789

Circle of Jan Frans van Bloemen, called "Orizzonte" (18th century)
Classical Landscape with Figures and a Dog on a Path in the Foreground
Bears the name Poussin on the margin, pencil and white chalk on partially tinted paper, 29cm by 39.5cm

Provenance: Frederick B Daniell & Son, 32 Cranbourn Street, Leicester Square, London

Estimate: £300-500

Lot 790

Italian School (18th century)
Religious Figurative Subject;
Christ with Two Putti;
Serpent, figure and other animals on a coastline
Pen, ink and wash, 10.5cm by 8.5cm, 22cm by 13.5cm and 5.5cm by 6.5cm respectively (3)

Estimate: £250-300

Lot 791

Gideon Yates (fl.1803-1815)
"Lancaster, Newbridge"
Inscribed and dated 1814 verso, pencil, pen, ink and watercolour with wiping out, 17.5cm by 24.5cm

Originally purchased from Felicity Owen, specialist watercolour dealer

Estimate: £300-400

Lot 792

Circle of Thomas Sunderland (1744-1828)
"Windermere from Troutbeck"
Pencil and watercolour wash, 22.5cm by 33cm

Estimate: £300-350

Lot 793

Attributed to Anthony Devis (1729-1817)
Lakeland Landscape with Figures and Goats in the Foreground
Pencil, pen, ink and watercolour, 24cm by 37.5cm

Estimate: £700-1000

Lot 794

Circle of William Ashford (18th/19th century)
River Landscape, with figures fishing from a small boat in the foreground;
Travellers with Horses and a Cart approaching a Toll Bar
Pencil and watercolour, 21.5cm by 27cm and 9.5cm by 24cm (2)

Estimate: £300-400

Lot 795

George Fennell Robson (1788-1833)
"View on Ettersgill Beck, Teesdale, Durham"
Signed with the artist's initials, inscribed and dated 1806, together with further inscriptions, pencil and watercolour with scratching out, 31.5cm by 49cm

Provenance: The Dean Gallery, 42 Dean Street, Newcastle upon Tyne, Christmas Exhibition 1992

Estimate: £600-800

Lot 796

Albert Goodwin RWS (1845-1932)
"Durham with Prebends Bridge in the Foreground"
Signed, inscribed, pen, ink and watercolour with scratching out, 13cm by 17.5cm

Provenance: Christie's, King Street, 5 November 1993, lot 402

Estimate: £1000-1500

Lot 797

Albert Goodwin RWS (1845-1932)
"Durham"
Signed with the artist's monogram, inscribed, pencil, watercolour and chalks on tinted paper, a preparatory sketch, 21.5cm by 30.5cm

Said to be Durham Cathedral from Prebends Bridge

Estimate: £300-500

Lot 798

John Newby (19th century)
"Durham Cathedral"
Inscribed on an old label verso, pencil and watercolour heightened with white with wiping out, 19.5cm by 26.5cm

Ex. collection Mr AS Gimson, also with Frederick Day, 24 Pocklingtons Walk, Leicester

Estimate: £150-250

Lot 799

Circle of Joshua Cristall POWS (18th/19th century)
Figures and a Dog Approaching a Church
Pencil and watercolour, 19cm by 29.5cm

Estimate: £300-400

Lot 800

Attributed to John Varley OWS (1778-1842)
River Scene with Figures in a Boat, a barge and other figures beside buildings
Pencil and watercolour, 13cm b y 20cm

Estimate: £400-600

Lot 801

Follower of Francis Oliver Finch OWS (19th century)
Shepherd and Sheep on a Stone Bridge
Watercolour with wiping out, 13.5cm by 19.5cm

Estimate: £150-200

Lot 802

Circle of Anthony Vandyke Copley Fielding POWS (18th/19th century)
Drover and Cattle on a Track with Mountains in the Distance
Pencil and watercolour with wiping out, 14cm by 22cm

Estimate: £350-400