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Musidora, after William Theed, for the Ceramic and Crystal Palace Art Union, 1876, as a standing semi-nude beauty by bulrushes and rocks, titled on the reverse, and impressed Ceramic and Crystal Palace Art Union W Theed pubd 1867, and Copeland 076, 43cm high
Guide Price: £200-300
View Lot No. 70
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Dancing Girl Reposing, after William Calder Marshall, for the Art Union of London, 1848, standing and gazing to dexter holding a tambourine by a garland covered tree stump, shaped circular base, incised Marshall Fect Cheverton Sculp, impressed Copeland, and impressed on the base Art Union of London 1848, 44cm high
View Lot No. 71
Withdrawn
View Lot No. 72
Amazon, after Jean-Jacques Feuchere, Shape 246, Minton, 1867, energetically modelled as the horse rears and the Amazon aims a spear (now lacking), impressed Minton and year cypher, 36cm high; and The Companion Figure, Theseus, Shape 254, 1856, similarly modelled to the preceding, incised ermine mark and 254 and year mark, 41cm high (2)Provenance: Amazon - The Thornton Collection Part I, Tennants, 29 March 2007, lot 70.
Guide Price: £800-1200
View Lot No. 73
Lalage, A Part Glazed and Green Tinted Figure, after John Bell, Minton, 1868, the classical maiden sits on a rock clasping her right knee and holding a floral garland, a lizard at her feet, incised title and John Bell, impressed Minton and year cypher, 39.5cm high This figure is illustrated in The Parian Phenomenon, edited by Paul Atterbury, published by Richard Dennis, fig 145.Provenance: The Thornton Collection Part I, Tennants, 29 March 2007, lot 66.
Guide Price: £300-500
View Lot No. 74
Lalage, Minton, 1865, as a maiden seated on a rock holding a garland of flowers, a lizard at her feet, titled, impressed Minton and year mark, 40cm high; and Apollo Belvedere, after the Antique, Minton, shape 132, circa 1852, impressed Minton and year mark, incised shape number, 44cm high (2)This model of Lalage is shown in The Parian Phenomenon, edited by Paul Atterbury, published by Richard Dennis, page 90, illus 145. Shown by Minton at the International Exhibition of 1862. Probably the companion to Miranda.
Guide Price: £250-350
View Lot No. 75
A Pair of Busts, Winter and Spring, from the Four Seasons, after Owen Hale, circa 1881, both as pretty young women with upward gaze to dexter, Winter decorated with laurel leaves, Spring with flowers, on fluted swept rectangular cushion moulded bases, both incised Owen Hale Sc, Winter dated 1881, Spring with impressed mark 76, 43.5cm and 45cm high respectively
Guide Price: £400-600
View Lot No. 76
Penelophon The Beggar Maid, after William Brodie, circa 1869, a large figure of a young woman in ragged clothes standing by a tree stump on a circular base with title, incised W Brodie RSA Sc Edinr 1867, also impressed factory mark, 68cm high
Guide Price: £180-250
View Lot No. 77
Daphne, after Marshall Wood, Copeland, 1862, the nude classical beauty standing full length and gazing downwards, standing beside a laurel tree, circular base, impressed Pub 1862 Copeland, 57cm highA similar figure is illustrated in The Parian Phenomenon, edited by Paul Atterbury, published by Richard Dennis, page 172.Provenance: The Thornton Collection Part III, Tennants, 22 November 2007, lot 154.
View Lot No. 78
Dancing Girl Reposing, after William Calder Marshall, for the Art Union of London, 1848, standing and gazing to dexter holding a tambourine by a garland covered tree stump, shaped circular base, incised Marshall Fect Cheverton Sculp, impressed Copeland, and frontally impressed Art Union of London 1848, 45cm high This model is recorded in Copeland (Robert) Parian Copeland's Statuary Porcelain, page 136, photo and entry S.38. Marshall was awarded £500 for this design by the Art Union of London. The marble version was exhibited at the Royal Academy in 1848.
View Lot No. 79